Focusrite CLARETT-PLUS-2PRE 10-in 4-Out Audio Interface For PC and Mac USB AUDIO INTERFACES
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Focusrite CLARETT-PLUS-2PRE 10-in 4-Out Audio Interface For PC and Mac USB AUDIO INTERFACES
CALL FOR ETA

Focusrite CLARETT-PLUS-2PRE , 10-in, 4-Out Audio Interface For PC and Mac

FOCUSRITE

  • $679.00

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Focusrite

Pure-sounding 10-in / 4-out Audio Interface

Item ID: CLARETT-PLUS-2PRE

Description

Whether recording vocals and instruments or composing in the box, Clarett+ 2Pre is the pure-sounding, bus-powered* USB-C interface for PC and Mac to take with you on your creative journey. CLARETT? MIC PREAMPS Two Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture superbly clear recordings with high headroom, low distortion and ultra-low noise. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier. INDEPENDENT A-D AND D-A CONVERTERS Independent A-D and D-A converters bring you closer than ever to your music and let you hear the truth, whether you’re in the studio or on the road. Greatly improved D-A dynamic range enables you to hear every detail and have greater control over your mix. Lower A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. ANYTHING, ANYWHERE Big recording session? Use ADAT to add 8 mic pres with Clarett OctoPre for a 10-input tracking environment. Keeping it simple? 15W USB bus-power Clarett 2Pre; hook up your mics or guitar and go. EMULATE ICONIC FOCUSRITE HARDWARE Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound. Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios. The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
  • MIC INPUTS
  • Frequency Response 20-20kHz: ± < 0.03dB
  • Frequency Response 20-35kHz: ± < 0.15dB
  • Dynamic Range (min gain): 118dB
  • THD+N (-1dBFS, +20dB gain): -110dB
  • Noise EIN: -129dBu
  • Max input level: 18dBu
  • Gain range: +57dB
  • LINE INPUTS (VARIABLE)
  • Frequency Response 20-20kHz: ± < 0.05dB
  • Frequency Response 20-35kHz: ± < 0.15dB
  • Dynamic Range (min gain): 118dB
  • THD+N (-1dBFS, min gain): -100dB
  • Max input level: 26dBu
  • Gain range: +57dB
  • INSTRUMENT INPUTS
  • Frequency Response 20-20kHz: ± < 0.04dB
  • Frequency Response 20-35kHz: ± < 0.15dB
  • Dynamic Range: 116dB
  • THD+N (-1dBFS, min gain): -96.5dB
  • Max input level: 15dBu
  • Gain range: +57dB
  • LINE & MONITOR OUTPUTS
  • Frequency Response 20-20kHz: ± < 0.02dB
  • Frequency Response 20-35kHz: ± < 0.02dB
  • Dynamic Range: 124dB
  • Max Output level: 18dBu
  • THD+N: -106dB
  • HEADPHONE OUTPUTS
  • Frequency Response 20-20kHz: <0.06dB
  • Frequency Response 20-35kHz: <0.07dB
  • Dynamic Range: 118dB
  • THD+N: -104dB
  • Max Output level: 16dBu


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